Imagine a painter in their studio, preparing for an exhibition. The painter is working on a landscape. The sky is midnight blue. The valley is Kelly green. Mountains loom in the back, a spectacular hue reflecting off a brilliant sunset. The painter reaches for vermillion and then pauses. Wait a second, they think: Does someone own the copyright to this shade of red? Am I going to get sued for this?
Read here: https://wapo.st/3nxaYSj
@TrueBloodNet @normsmusic
Wait until I copyright the 12 bar blues form....
@gshevlin @TrueBloodNet or the blues scale
@TrueBloodNet @normsmusic
Adam Neely, who is brilliant.. offers this discussion on youtube..
https://youtu.be/Tpi4d3YM79Q
@JazzCrafter @TrueBloodNet wow thank you for this link
@normsmusic @TrueBloodNet
ya welcome! Adam Neely is one worth subscribing to on youtube! He has dozens of excellent vids!
@JazzCrafter @normsmusic Thanks I'll listen when my morning music is over. :)
@normsmusic It’s so much worse when there are only 12 of a thing. Microtonal is the only music with a future if things keep going this way.
@normsmusic This was my take on this whole situation. You can't own 'chords' In fact, if you make a physical object, changing the size, or the sizes of different aspects is enough to need a new copyright. Otherwise it's completely inane and there will be no new music.