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The Unspoken Racial Politics of ‘Fast Car’ at the Grammys

Combs’s crossover hit coasts on the greatness of a Black artist who is already a legend. For country music to claim this as any kind of reconciliation feels like it stole someone else’s medal and declared itself a winner in a foot race that it never ran.

Tressie McMillan Cottom

/nosanitize

nytimes.com/live/2024/02/06/op

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