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@NotTheFakeNate Yep, over Arizona. Good eye! KC-135 refueling a KC-10, was fun. Later We serviced a B1-B and B-52 as well. On my belly in the tail next to the boom operator, leaning in when he let me :)

A couple of 1955-7 Porsche 550A 1500/RS Spyder#CoSoPhotography

@NotTheFakeNate It absolutely is. In the open, I could have sat on it. Crazy.

To continue ethics thoughts: if you are uncomfortable asking people about themselves, asking permission, or spending time with someone with the camera down, you might consider focusing on subjects you have access to, such as people at work or neighborhood. You will be confronted, for sure, by someone sometime. They may be angry, but if you articulate clear goals, have an empathetic conversation, many will open up. . Storytelling needs access.

@logic_no_bull This is a building on the lower east side of manhattan taken during early covid which so much came to a standstill including garbage pickup.

@cornered
The question suggests ur POV. People as graphical elements is difficult ethically, yet Cartier-Bresson is rightly revered for a storytelling of humanity worldwide. The other end is J. Ross Baughman spending years gaining access to tell difficult stories. Both approaches are supported by decades of law and ethics rules. Collaboration with a subject corrects the power imbalance in access-driven storytelling-sometimes impossible if the moment is immediate.

AI art with small 3d addition marshes on the banks of the nile

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romquest

CounterSocial is the first Social Network Platform to take a zero-tolerance stance to hostile nations, bot accounts and trolls who are weaponizing OUR social media platforms and freedoms to engage in influence operations against us. And we're here to counter it.