Trump first hosted the WWE Wrestlemania in 1988. He'd been watching wrestling since he was a kid.
In 2007 Trump became part of the story-line at WWE.
He was the 'face' & McMahon played the 'heel'.
At Trump's command, cash rained down on the fans.
Trump becomes a regular part of the WWE storylines.
In 2009 he & McMahon announce that Trump had bought the WWE from McMahon.
He hadn't really, but the stock dropped 7% overnight, because the WSJ wasn't in on the kayfabe (wrestler slang for Fake, Babe!)
Later he would pretend to charge McMahon twice the price.
When Trump entered politics, it wasn't like people couldn't see in his bombastic style the lessons Trump had learned in the WWE. They did, very quickly.
https://www.salon.com/2015/08/17/donald_trump_professional_wrestler_how_the_billionaire_body_slammed_gop_politics_and_why_it_matters/
What Vince McMahon did was stop pretending that wrestling was real. This got rid of any limitations on how weird the storylines could be.
It went from kayfabe to neo-kayfabe, or "Yes, it's fake, except for the parts that you believe are real".
https://www.politico.com/news/magazine/2023/03/24/trump-wrestling-mcmahon-villain-election-00088590
So things seem to be going less that wonderful for the Trump campaign. Vance brings more Ice than Heat. Even with his ear scratch, Trump doesn't seem to have the Mojo he used to.
@OldDeckHand I've caught the similarities between Trump on the stump and Trump in the ring. By chance I've done some study on futurism in turn of the century Italy, a movement Mussolini observed, later bringing one of the founders, F. T. Marinetti close to his political operations. There are similarities there that really strike a familiar chord.
@OldDeckHand "The Futurist serata reconfigured the artist “as a performer within a public space” and “art-making became a form of theater” (Hayden 16-17). As the Futurist artist’s role shifted “from creator to innovator, inventor, and visionary”—as he assumed the role of instigator intent on shattering traditions and conventions—his attitude toward audience became more oppositional and contemptuous: “the Futurist artist was remade as a relentless, often obstreperous vocal performer—a voice interrupting and disrupting public discourse” (16). The audience was reconfigured in the process, transformed into the target, object, and conquest of the Futurist performance artist." https://mina-loy.com/chapters/courting-an-audience/1-futurist-performance/
Meanwhile, social media has been set on fire by Walz and Harris. Even if most of the media let the GOP and Trump push them around.
Hey, @nytimes
, are those cancellations starting to hurt yet?