@theunabeefer I'd ask what you've been snorting 🤣
@stueytheround They had a more recent producer remix and master the album for a deluxe edition. They were never happy with the original (record-label-forced production) and wanted it to better represent their sound. (Similar to the Beatles un-Spectoring Let It Be) It's the only version of Ten I listen to anymore, because the original always bothered me.
@stueytheround It's amazing what removing 40 layers of reverb can do to a song. Also a great example of what the role of mixer and producer can really do for or against a band's work.
@theunabeefer Thanks for this info.
I am going to see if Prime has it in their "UHD" section.
@stueytheround Check out Ten Redux by Pearl Jam on Amazon Music
https://music.amazon.com/albums/B00EE40FC6
@theunabeefer
Listening now in ultraHD through my good amp and speakers.
Oh boy!
Suddenly it's all making sense!
All these years I thought Eddie's diction was terrible and it isn't that at all.
@voltronic we discussed this before.
I'd really be interested in your thoughts on this. The difference is profound. Every instrument in it's right space and you *can hear the words*!
@stueytheround @voltronic I think "Why Go" is a perfect example of the difference in intensity too. I remember a friend talking about how, even back then, their concerts would just "punch you in the gut" with the intensity they played with, and how that never translated to the album. I think the Redux corrects that a lot. It seems closer to how their live performances of the time would sound.
@voltronic @stueytheround My wife can NOT stand Vedder's voice... But I still had to show her some years back that he had, in fact, enunciated quite clearly in recording. It almost sounds like he's actively enunciating on purpose.
Then the production practically forced a reputation on him. Almost sad if you think about it. But also, I wonder how much of a hit the album would've been if produced clearly...