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My favorite part of this show is how the sound is very much all over the place. Dead silence. Whispering. LOUD BANGS AND SCREECHES. More whispering.

Uh, Marisa, if you could just push the ghasts away why didn't you do it, y'know, BEFORE?

Some of YOU might die, Lord? Not some of US?

Asriel's "Rally-the-troops-this-day-will-be-our-independence-day" speech was lackluster at best. I don't feel inspired to fight for your cause, sir.

Nothing gets the lady scorned back quicker than leading a rebellion against god. Always ends well.

Asriel's getting a little too big for his fucking britches, I swear.

Previously on , some stuff happened. Some other stuff happened. There was some Dust. Final two episodes! Away we go!

I think what I like most about Mike White is his ability to write characters that are deeply unlikeable yet amazingly intriguing. They're all irrational and uncomfortable yet I always want to see more.

Very surreal to see David Brittlesby act assertive on The Joe Schmo Show. What a weird-ass concept that I cannot believe I didn't see when it was first run. It's right up my very narrow alley.

A promising start comes to a dire ending, bloated and unearned. Good Omens deserved better than this.

"Oi. Fuckin' hell, Agnes Nutter. I gotta deal with more of your bullshit? I was ready to NOT for a while."

Aziraphale. You don't have a side anymore. You're all bottom, baby.

You, Dad/Satan, I learned it by watching YOU.

Okay, Beelzebub's hat is really fucking fly.

"And I believe," he said in the clipped accent of a wee bairn, "that children are our future."

No fan of cutting dense books to theatrical run time.. but with this shouty, bloated approach.. it would be merciful.

Good Omens is such a delight to read; it's fun and funny and weird and quirky and this miniseries has ZERO PERCENT of that heart. There's no joy in watching.

Fuck. There's a lot of *story* in this book, will you get to some of it?

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The Mondegreens

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