Oh! This is a comedy? The Modern Warfare in media res made me think otherwise. (The Recruit, e1).
Literally what even is happening here? Am I too dumb to understand television?
I mean, why are they concerned with a very uninteresting woman in prison?
Spies all the way down.
Jargon's great for world-building and all but this a very large, very abrupt bucket for an opening ten minutes.
Definitely a homefill location. Noscars everywhere.
Not only can we dump the lead's entire backstory in a feverish rant by drastically changing tone into bloody torture -- free finger!
I have to focus so much on what's happening here that I don't have time for semi-smarmy quips.
Is it cartoony or idealistic the punishment he keeps taking for the company?
How did the CIA even hire him? He's like a black lab in a suit. A little handsome but his head's too big for his body and he's only got three mosquitos bumping around in his brain cavity.
Hoped this was more than a Vincent Chase spy series for the USA network, but here we are.
Oh now the labrador retriever is goin' on a fuckin' *mission*. What a dingus.
Need to be a lot more impaired to watch another episode.
Which helps sell the paragraphs of exposition, honestly.