Well, we're going to have a lot to talk about with this week's SNW, @WordsmithFL. ๐Ÿ™ƒ

I'm glad Jonathan Frakes was at the helm, at least. And we have a breather episode before the musical silliness comes along.

(Every other can join in, too! I like to take a beat before I write my weekly review - and give folks the weekend to watch the ep - but it'll be up on Monday.)

@MLClark @WordsmithFL You doing the cross over ep?

I have nothing good to say about it. :/

@TrueBloodNet @WordsmithFL

It should never have been made. :)

Lower Decks is just... not good Trek.

Frakes' direction is the best thing going for it, but whew.

WHEW.

(Watching the *actual* episode for this week now. Dreading next week's.)

@MLClark It's interesting that Paramount gave us a "dark" episode this week sandwiched between the spoof crossover and next week's musical.

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@WordsmithFL

It is a challenging one, too! I'm trying to have both reviews ready for Monday, but it's funny how much Trek fans are as uncomfortable and ready to go to blows around "Those Old Scientists" as M'Benga, Ortegas, and Chapel are around Dak'Rah in "Under the Cloak of War".

Maybe that was the point? ๐Ÿ™ƒ

ยท 1ยท 1ยท 3

@MLClark I've always thought that the brilliance of what Gene Roddenberry wrought was an incredible flexibility in the show's storytelling.

One episode can be Tribbles, another episode can be pon farr, another episode can be a Vietnam analogy.

All things to all people. IDIC.

So I really don't mind the writers having the freedom to try something different.

The TNG cast loved to sing on the set, so a musical would have been perfect for them if the era permitted.

@WordsmithFL

I have nothing against variation. Of course the episodes ranged from silly to serious: they were developed in an age drawing distinctly from stage plays, not like today's TV wrought very much from other TV. Different culture.

But LD is sarcastic, glib, & more interested in self-reference than anything deeper. That's what I was referring to--but it's always dangerous to name-drop, because Roddenberry also had issue with TNG, so, I don't mean to get hagiographic with the reference.

@MLClark You know I share your ๐Ÿคฎ about LD, but it has its fans. I just shrug and IDIC.

Many TOS writers came from SF, but others were veteran TV writers who'd served in WW2.

I think it was David Gerrold who said that TOS scripts were like radio plays. You could close your eyes, listen to the script, and know exactly what was going on.

@WordsmithFL

I'm just dropping this here so anyone else following along knows what we mean when we refer to the sense of play and whimsy among actors in the earlier series. :)


youtu.be/iHKSYGYP4a0

@WordsmithFL

I HEAR A CONTRACTION!

๐Ÿ˜‚ (Not even close to the only time Data breaks that rule.)

Despite the grousing over E7, though, E8 has a *hugely* challenging ethical question at its core. Going to be fun to write that one up. An intense run toward this season's finish.

@MLClark Good morning ... Here's a cleaner and extended version from my collection. This was from the original telecast. You get to see Hoo-Pie's reaction after watching it.

Re the contraction, I think it was established that Data could use a contraction when quoting someone else. In this instance, he was quoting the "credo."

Because of this skit, to this day I see "tee ... shirt" and "sweat ... shirt" as two words separated by a pause. Thanks, Brent. ๐Ÿ˜Š

youtube.com/watch?v=Fhgl57yxyZ

@MLClark I think it was Jack Sowards who told about early 1960s TV writers who had been writing Westerns for years. They'd go from one show to another with the same idea, just adapt it for that show's universe.

TOS was "Wagon Train to the Stars," so it kinda makes sense.

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