Why does the Hearst press attempt to organize the news of each day into a Victorian melodrama?
Anything queer in a big urban press going flat out for the small town, the small guy and cracker-barrel sentiments?
Is it a some screen or just the fog from a confoosed brain?

Nose for News (probes) – p.5
Marshall McLuhan – The Mechanical Bride. 1951. Ginko Press