Louis, a domestic worker who spent many years laboring in a convent before becoming a housekeeper, painted floral motifs (like the one we present today) on household items, canvases, and boards. Her talent was eventually recognized by one of her employers, Wilhelm Uhde, a prominent German art critic, dealer, and collector. The title Tree of Paradise hints at religious undertones and the arrangement of jewel-like leaves evokes the stained glass windows of Gothic cathedrals.
Louis flattened the landscape into a single plane, with a tree extending diagonally across the water as grass and sky intertwine, creating a decorative interplay of patterns.