Reviews are in for the Turner Prize’s 40th exhibition at Tate Britain, and they run the gamut. The Times’ calls it “once the enfant terrible of art prizes, it now feels dated and desperately struggling to be down with the kids.” Or there's The Guardian’s more measured praise for “several arresting moments, in a show filled with cultural collisions, shifts in register and wildly divergent intentions. Business as usual, then.” [The Times, The Guardian]

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