Three episodes in, I totally see both the frustration and the appeal.
Shanola Hampton's stage presence is staggering; I could watch her walk, talk, and get business done all day. :)
A'zaria Carter also carries her fury and fragility *so* well.
But you're so right, too - the show's story and scripting are on par with The Equalizer (the hackers are similar, too!), & yet, it has this GEM of a novel concept, in the push-pull with Gosselaar's character, buried in the rough. 😬
@MLClark Yeaaass and welcome to my world ❤️
Shanola and A'zaria are CARRYING the best parts of the show and yet the showrunners don't want to make THEIR stories the focal point.
They want to write all these EXTRA characters and EXTRA conflicts to try and keep the show interesting but it's doing the opposite. Who cares about all of these other damaged people? They are only there to create the tension of the SECRET Shanola is hiding. They are only there is give her something to lose.
1/
@MLClark The best media is the media that gives you a chance to see something truly UNIQUE and EPIC like rare performances or introduce you to new actors and actresses. Its hard to do that in television because so many people WHO NO NOTHING ABOUT ACTUAL ART are the ones shelling out the $$ and making all the decisions. Getting a chance to see good writing and truly powerful performances on network TV is rare ... but I really love it when it happens ❤️
I'm really glad you put me on to this piece by "ranting" about what doesn't work in it. :)
I'm the same when it comes to story & scripting - I will *rage watch* series that frustrate me when I can still see an amazing core of something brilliant, lost to the dunderheaded decisions of the producers.
But... in this case I don't have to rage watch! Yes, it's a freaking waste they built the story as they did, but the acting still SOARS over the mismanagement. *Love* these ladies!
@MLClark ❤️ so so happy to hear it. Ideally, for any TV, especially TV that is partially financed by the actors IN IT, you want to really root for them to be able to showcase their vision before it gets cancelled. Shanola is very passionate about the social politics of the show and that is coming through LOUD AND CLEAR ... but I feel like the rest of it was probably dictated by the showrunners to "fill in space" and pull in a more "diverse audience". I'm watching for the THEATER and little else.
@MLClark A'zaria Carter is SLAYING every single SECOND she is on screen and I've only seen her in a couple of things before now. If anything Found is showing that SHE DESERVES MORE WORK and I deeply hope that she gets even more recognition because THAT is a powerful, powerful presence she has. Even when SILENT she fills the screen and THAT'S the sign of greatness.
And I will give the showrunners credit for one thing with her, too: thank FUCK they went with a different captivity arc than what's usually given to young feminized people. She gets to SMOULDER in that role, and in her righteous fury at what's happening to her, without being served up for anything more sordid for certain audiences. She deserves to be in tremendously rich and nuanced roles *always*, and I look forward to seeing what she's in next!
@MLClark A'zaria has her background in THEATER and it SHOWS and again, in TV, its rare that you have opportunities to write for a small, intimate space like that. All that theater training goes out the window for most TV ... but here ... we get chances to see it and those are the BEST parts of the show. I appreciate the writers who are putting their best work on the pages for those 3 actors. They are SEEN by me and APPRECIATED by me.
@MLClark Agreed Agreed Agreed 💯 💯 💯 💯
😂 Okay, okay, I have more to catch up on when time allows - but for now, thank you SO MUCH for this fascinating rec, and the brilliant people it's introduced me to! 🤗 Have an epic day, you phenomenal being you!
@MLClark ❤️ ❤️ ❤️
@MLClark Thanks always for sharing your thoughts. Thanks for checking it out and I'm glad you appreciate it ❤️
Going off The Equalizer comparison when it comes to quality of scripting, I also get the feeling that this story struggles because the producers wanted to fill a fuller syndicated season... when this could absolutely have been a tight, powerful 6-8 episode miniseries with a much more controlled exploration of that BRILLIANT core concept: the vigilante survivor who keeps her kidnapper in her basement.
Ah, the pressures of TV. :) Taking gems, grinding 'em up, and snorting them.
@MLClark Yep. Exactly. Found will probably not get a second second and if it does ... it will get WORSE, not better and it will probably be because Shanola is putting up the $$ ...
@MLClark With Equalizer I know part of it is the importance of centering Black-lead television. I know it's very important for a few people involved in that show to do whatever to keep it ON and keep it at the top ... the visual of having a Black, female-lead show consistent at the top of the ratings is a big deal.
@MLClark Kelli Williams (Margaret) is a favorite actress of mine but she is essentially playing the female version of Tim Roth's character in Lie To Me where she really was undervalued for 3 years. I like how she PLAYS this character but she's also there with her "super power created from trauma" and I'm so exhausted from hearing that take on hypervigilance from trauma.
Oh, that whole aspect is icky, and I think they've gone out of the way to mention it in all three episodes? They just *keep* *digging* *in* to how her trauma makes her magical.
No, the only thing "magical" with Margaret was her having sufficient self-awareness to recognize that her ex was correct to ask for full custody, and that this was in the best interests of her kids. A rare gift in real life!
Otherwise, she remains a very hurt person walking. Full stop.
@MLClark Yes it's all well and noble for her to have the awareness to know she is suffering and doesn't want to put that on others ... but at the same time she won't get the help she needs and it's STILL on others because the entire team has to work around her trauma ... ??? and enables her at the same time? And then calls her magical? I can't even 🤣
@MLClark I'm just really glad you're giving it a watch for Shanola and A'zaria and Gosselaar ...
Did you ever watch The Passage? I think I ranted about it here before. This is another situation where the performances are ... BRILLIANTLY done. ESPECIALLY young Saniyya Sidney and Brianne Howey who I discovered from the show. Gosselaar also was showing is skills ... the show was forgettable but the work of those 3 was not.
@thewebrecluse
The trauma management, too, is *so* strange. These are all articulate, high-functioning human beings who still... conveniently don't put in the work for themselves with therapy?
Relying on husbands, fellow victims, and each other to hold space all the time instead?
SUCH a weird disconnect between the walk and the talk.
So far, Margaret's seemed the stablest, in at least recognizing that her kids needed to be far from her inability to change, but WOOF.
What an uneven crew!