Ho ho! I forgot how many challenges I gave myself by writing Children of Doro with a ship's AI as narrator (the closest SF equivalent I could think of for Dostoevsky's slippery polyphonic narrator in The Brothers Karamazov, who's both actively present at the trial and also somehow listening in on tons of private conversations and thoughts, holding everyone's POV in agonizing balance).

I have a rule sheet for my AI's speech to put to work with final edits! And footnotes to figure out! What fun!