~* Daily *~

A Bell Is a Bearer of Time
BY ALISON C. ROLLINS
*To be performed with bells on. All โ€œwritingโ€ is performance, some performance is โ€œwriting.โ€

I am
a product
of my time.
Time is a body
that resembles
a sound without a scale.
Forever foreclosed fortitude.
In heaven, the dinner bell rings
as elegy. The porch-light stars turn
on their mothering moths. Betrayal
takes at least two, and wherever two
or more are gathered, I am there in
their pulsating timbre.

To hear is to hunger
for the gendered race of sound. In my midst,
loneliness listens. In confidence, I am secreted
away. I was today years old when I learned the truth,
a browbeat bell is an idiophone. The strike made
by an internal clapper or an external hammer, a uvulaโ€”
that small flesh, conical body projecting downward from
the soft palateโ€™s middle.

Vocal, vibrating vulva. I am less a writer
who reads than a reader who writes. Therein lies the trouble, the treble clef of
conviction. Come now to the feast of hearing, where Hortense J. Spillers
gives a sermon: We address here the requirements of literacy as the ear takes
on the functions of โ€œreading.โ€ Call me bad news bear. Bestial. Becoming.
In โ€œVenus in Two Acts,โ€ Saidiya Hartman asks, Must the future of abolition be
first performed on the page? Must I write a run-on of runaways?

Follow

Must you make out my handwriting? Evidence that loss has limbs.
The clawed syntax. The muzzled grammar. Donโ€™t be afraid.
Kill me with your language. Learn how to mark my
words.*

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